Works Places of Power In this project, Rogiński delves deeper into the dark heart of his practice. AfterLIFE Afterlife exposes the mechanisms of exploitation of both nature and public space, triggered by the capitalization of what might seem to be the last bastion of intimacy. The Internets ‘Welcome to the desert of the real.’ Borderlands The veil of mystery drops suddenly when we realise that we don’t need to ‘know’ what happened here, because we ‘can’ imagine it. Burned An elegy to analogue photography. LUX The brightness of celestial objects is expressed in magnitudes. Dreamers And then there are the outdoor snoozers… Blackness His attempt at isolating the abstract patterns the uncanny animals draw in space is at the same time a journey into the matter of the photographic image, where abstraction emerges. Wir in Dresden I like the timelessness of these photographs. The people bathing in the sea, nude, carefree and unconstrained among the waves, could have been photographed at any time in history. Poland Synthesis It is dark, cold and there is no one. It’s time to take a ride. Until dawn, when all this will disappear. Project UFO We know that in the UFO photographs, the effect of eeriness is achieved with the use of technology, but we cannot (or do not want to) resist it. Warsaw Rogiński investigates the mystery of the urban space, the turbulent history of the past century all but invisible behind the emerging grand vistas of one of Europe’s new capitals, glossing over it’s layeredness and narrative complexity.
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